Curriculum Vitae

Jeroen Groenewegen

Personal Data
Surname: First names: Gender: Nationality: Address: Mobile: E-mail: Website:	Groenewegen Jeroen Willem Petrus Male Dutch Bernhardkade 18a 2316 RW Leiden The Netherlands +31 (0)6 4927 0050 rinses@gmail.com www.keepmakingsense.com
Education
10.2005 – 6.2011 09.1998 – 03.2005	Leiden University, The Netherlands Doctor of Philosophy, Leiden University Institute for Area Studies Supervisors: Maghiel van Crevel (Leiden University) and Wim van der Meer (University of Amsterdam) Supported by a scholarship of the Hulsewé-Wazniewski Foundation Title of thesis: The Performance of Identity in Chinese Popular Music Leiden University, The Netherlands Master of Philosophy, Languages and Cultures of China Title of thesis: Tongue 舌頭樂隊: Making Sense of Underground Rock, 1997-2004
International activities as exchange student and during fieldwork:
2008 2007 2006 2003 - 2004 2001 - 2002	Beijing, Peking University (3 months). Full grant, the Hulsewé-Wazniewski Foundation. Beijing (4 months), Shanghai (2 weeks), Hong Kong (3 weeks), Taiwan (1 month). Full grant, the Hulsewé-Wazniewski Foundation. Beijing (1 month), Hong Kong Chinese University (1 month). Full grant, the Hulsewé-Wazniewski Foundation. Beijing, Capital Normal University. Full scholarship, Netherlands-China MoE ‘Cultureel Verdrag.’ Beijing, Beijing Language and Culture University. Full scholarship, Netherlands-China MoE ‘Cultureel Verdrag.’
Teaching experience
Spring 2010 Fall 2009	Chris Goto-Jones and Jeroen Groenewegen: “Core Curriculum: Area Studies,” Leiden University. 200 BA1 students. Jeroen Groenewegen: “Chinese pop-, rock- en folkmuziek,” Leiden University. 20 BA3 students. Henny van der Veere, Marijke Klokke and Jeroen Groenewegen: “Asian Studies Masterclass: Perceptions of Space in Asia,” Leiden University. 60 MA students.
Work experience
1.11.2009 – 1.9.2010	When I was close to completing my PhD, I was offered a fractional teaching and project support position as Asia Assistant at the Leiden University Institute for Area Studies. Workload amounted to about 0.6 fte. Fixed Term.
Scholarships and prizes
2005-2009 2003-2004 2001-2002	PhD scholarship of the Hulsewé-Wazniewski Foundation for the advancement of teaching and research in the archeology, art and material culture of China at Leiden University (normally granted to only one person at a time). Netherlands-China MoE ‘Cultureel Verdrag’ full scholarship for one years’ study at Capital Normal University, Beijing. Netherlands-China MoE ‘Cultureel Verdrag’ full scholarship for one years’ study at Beijing Language and Culture University, Beijing.
Academic lectures
2010 2009 2008	“Met Gespleten Tong: Dividualiteit in Chineestalige popmuziek” (With Split Tongues: Dividuality in Chinese Language Pop Music) at Noise that Matters? Muziek, Lawaai en Politiek (Music that Matters? Music, Noise and Politics) organized by the International Association of the Study of Popular Music Benelux. “Main Melodies: Folksong Categories on the CCTV Young Singers Contest” at IAPMS (Hong Kong). “Song Zuying and Official Pop Stardom in the PRC” at Crossroads (Hong Kong). “The Tuning of Urban China” in the workshop “Spectacle and the city – urbanity in popular culture and art in East Asia” (Amsterdam). “The Lost Love of Tradition in Chinese Popular Music” in ICAS (Daejeon, Korea). “Orientalism and Occidentalism: The Inventions of Composer Tan Dun and Pop Star Faye Wong” in IASPM (Liverpool, UK). “The Cinematic Imagination of Chinese Popular Music” in China Seminar (Leiden, NL). “Humour in Chinese Popular, Rock and Folk Music” at IIAS Symposium “East Asian Popular Music: Small Sounds from Big Places?” (Leiden, NL) . “Exploring Tourism and Planting Trees: Comparing Musical Performances of Glocalization in Zhao Benshan 趙本山 and Lin Sheng-xiang 林生祥” in EACS (Lund, Sweden).
Academic publications
2011 2010 2009 2008 Forthcoming	Groenewegen, Jeroen. “Asima, Her Pimp and a Melancholic Boss: On Chinese Rock Star Zuoxiao Zuzhou” in Norient, Independent Network for Local and Global Soundscapes. Groenewegen, Jeroen. Tongue 舌頭樂隊: Making Sense of Underground Rock, 1997-2004. Lambert Academic Publishing. Groenewegen, Jeroen. “Screaming and Crying Androids: Voice and Presence in Chinese Popular Music” in Inter-Asia Cultural Studies, volume 11, issue 1, pages 108-114. Groenewegen, Jeroen. “Cultural Forms Are Like Snow, Crystal Clear When Hardened, Opaque When Soft: Book Review of China with a Cut: Globalization, Urban Youth and Popular Music” in IIAS Newsletter, issue 55, page 35. Groenewegen, Jeroen. “Faye Wong: Stardom in Chinese Popular Music” in International Journal of Chinese Culture and Management, volume 2, issue 3, pages 248-262.   Groenewegen, Jeroen. “Between Social Realism and Kawaii Virtuality an overview of independent Chinese language films shown at the IFFR between 2006 and 2009” in Asia Pacific Arts, 2-6-2009. Field, Andrew and Jeroen Groenewegen. “Explosive Acts: Beijing’s Punk Rock Scene in the Postmodern World of 2007” in Berliner China-Hefte, volume 34 (2008), pages 8-26. Groenewegen, Jeroen. “The Tuning of Urban China” in Spectacle and the city– urbanity in popular culture and art in East Asia, edited by Jeroen de Kloet and Lena Scheen. Groenewegen, Jeroen. “Book Review of China with a Cut: Globalization, Urban Youth and Popular Music and Cries of Joy, Song of Sorrow: Chinese Pop Music and Its Cultural Connections” in Asian Ethnology Journal. Groenewegen, Jeroen. “Mandopop 國語流行音樂,” “Cantopop 粵語流行音樂,” “Northwest Wind 西北風,” “Chinese Rock 中國搖滾,” “Songs for the Masses 大眾歌曲” and “New Folk Tunes 新民謠” for volume 11 of The Continuum Encyclopedia of Popular Music of the World: Genres of Asia and Pacific Origin.
Other activities
2011 2010 2009 2008 2007 2006 2005 2004	Programmer and organizer of "Fabriek van de Wereld: Hedendaagse Chinese Muziek" (Factory of the World: Contemporary Chinese Music) with performances of Yan Jun, Lin Di and Zhu Xiaolong in the sculpture museum Beelden aan Zee in Scheveningen. Interpreter, production assistant and advisor of Xiao He's performances at The Player as part of the Opera Days Rotterdam. Interpreter for International Filmfestival Rotterdam. Producer and host for the Mandarin-language radio program on cultural events for the Amsterdam-based station CRTV. Organizer of the China Seminar, around six lectures per semester. Interpreter for International Filmfestival Rotterdam. Program advisor for the concerts “Beijing Underground” at Steim (Amsterdam) and “New Music from Beijing” at Worm (Rotterdam), including four experimental musicians. Interpreter and production assistant for Tao Studio’s contemporary dance performance Weight in Frascati, Amsterdam. Organizer of the China Seminar, six lectures per semester. Interpreter and discussion leader for Julidans: A Summer Festival of International, Contemporary Dance. Interpreter for International Filmfestival Rotterdam. Interpreter for Julidans: A Summer Festival of International, Contemporary Dance. Author of China focus in the Dutch magazine mixed: world music magazine.   Specialist at the public forum: “Cultural Cooperation with China” organized by SICA.  Producer and host at the Mandarin-language radio program on cultural events for the Amsterdam-based station CRTV. Interpreter during the editing of the IKON TV-series Paul Ro:senmoller and...China: the Price of Growth.  Interpreter for the International Filmfestival Rotterdam. Interpreter for the Dutch Electronic Art Festival. Interpretation: International Filmfestival Rotterdam. Author of “R&B in de Drakenvuist Stijl” in a special of Geography, a magazine of the Royal Dutch Geography Society (KNAG), titled China from Marginal to Global Player (Geography 15: 9). Interpreter for the International Documentary Festival Amsterdam. Interpreter for Poetry International. Interpreter for the International Filmfestival Rotterdam.  Author of "Chinese Popmuziek: Een Overzicht" (Chinese Pop Music: An Overview) for the Dutch website Gele Draak. Programmer and producer for The Amsterdam China Festival: ChinaPop in Melkweg and Paradiso, inviting six Beijing-based rock bands and a DJ. Interpreter for Vrije Akademie Den Haag. Interpreter for the International Documentary Festival Amsterdam.